Extreme Fiction: anthology curated by Betina González
An anthology that defies the limits of fiction: curator Betina González has selected four contemporary stories bound by exaggeration, extravagance, and extremes.
Don’t miss the curator’s prologue and stories by Claudia Hernández (El Salvador), Ariadna Castellarnau (Spain), Sergio Olguín (Argentina), and Andrea Salgado (Colombia).
Curation and Prologue:
Betina González (Argentina) - Thoreau's Lightning Bolt __ Translated by Janet Hendrickson
Stories included:
Claudia Hernández (El Salvador) - On Wednesday Night __ Translated by Janet Hendrickson
Ariadna Castellarnau (Spain) - Hunger__ Translated by Lisa Carter
Sergio Olguín (Argentina) - The Incredible Life of Pinocchio ___ Translated by Annie McDermott
Andrea Salgado (Colombia) - The Street __ Translated by Robin Myers
Cover design: Lucía Menéndez
Cover photo: Claudia Menéndez
[Ebooks] [Royalty model]
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"The texts in this anthology choose the opposite path.
There is risk in exaggerating.
There is risk in suspending and delaying.
There is risk, simply, in taking reality to an extreme beyond its limits and daring to see what sphere of the human is illuminated there."
(From Betina González' Prologue)
Don’t miss the curator’s prologue and stories by Claudia Hernández (El Salvador), Ariadna Castellarnau (Spain), Sergio Olguín (Argentina), and Andrea Salgado (Colombia).
Curation and Prologue:
Betina González (Argentina) - Thoreau's Lightning Bolt __ Translated by Janet Hendrickson
Stories included:
Claudia Hernández (El Salvador) - On Wednesday Night __ Translated by Janet Hendrickson
Ariadna Castellarnau (Spain) - Hunger__ Translated by Lisa Carter
Sergio Olguín (Argentina) - The Incredible Life of Pinocchio ___ Translated by Annie McDermott
Andrea Salgado (Colombia) - The Street __ Translated by Robin Myers
Cover design: Lucía Menéndez
Cover photo: Claudia Menéndez
[Ebooks] [Royalty model]
///////////////////////////////////////////////////////////////////////////////////
"The texts in this anthology choose the opposite path.
There is risk in exaggerating.
There is risk in suspending and delaying.
There is risk, simply, in taking reality to an extreme beyond its limits and daring to see what sphere of the human is illuminated there."
(From Betina González' Prologue)